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1. Literary Journalism: A New Collection of the Best American Nonfiction
Description
Some of the best and most original prose in America today is being written by literary journalists. Memoirs and personal essays, profiles, science and nature reportage, travel writing -- literary journalists are working in all of these forms with artful styles and fresh approaches. In Literary Journalism, editors Norman Sims and Mark Kramer have collected the finest examples of literary journalism from both the masters of the genre who have been working for decades and the new voices freshly arrived on the national scene.The fifteen essays gathered here include:
-- John McPhee's account of the battle between army engineers and the lower Mississippi River
-- Susan Orlean's brilliant portrait of the private, imaginative world of a ten-year-old boy
-- Tracy Kidder's moving description of life in a nursing home
-- Ted Conover's wild journey in an African truck convoy while investigating the spread of AIDS
-- Richard Preston's bright piece about two shy Russian mathematicians who live in Manhattan and search for order in a random universe
-- Joseph Mitchell's classic essay on the rivermen of Edgewater, New Jersey
-- And nine more fascinating pieces of the nation's best new writing
In the last decade this unique form of writing has grown exuberantly -- and now, in Literary Journalism, we celebrate fifteen of our most dazzling writers as they work with great vitality and astonishing variety.
2. The Art of Fact: A Historical Anthology of Literary Journalism
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ScribnerDescription
Learn how to be the best journalist you can be with what could be the worlds most readable textbook (Time Out New York).The Art of Fact is a historical treasury tracing literary journalism back to such pioneers as Defoe, Dickens, and Orwell, and to crime writers, investigative social reporters, and war correspondents who stretched the limits of style and even propriety to communicate powerful truth. Here an extraordinary range of stylesthe elegance of Gay Talese, the militance of Marvel Cooke, the station-house cynicism of David Simon, the manic intelligence of Richard Ben Cramerilluminates an extraordinary range of subjects. From large public events (Jimmy Breslin on the funeral of JFK) to small private moments (Gary Smith on the struggles of a Native American basketball player), these readingssad, funny, and most of all provocativeoffer the double pleasure of true stories artfully told.
3. You Can't Make This Stuff Up: The Complete Guide to Writing Creative Nonfiction--from Memoir to Literary Journalism and Everything in Between
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Da Capo Lifelong BooksDescription
From "the godfather behind creative nonfiction" (Vanity Fair) comes this indispensable how-to for nonfiction writers of all levels and genres, "reminiscent of Stephen King's fiction handbook On Writing" (Kirkus). Whether you're writing a rags-to-riches tell-all memoir or literary journalism, telling true stories well is hard work. In You Can't Make This Stuff Up, Lee Gutkind, the go-to expert for all things creative nonfiction, offers his unvarnished wisdom to help you craft the best writing possible. Frank, to-the-point, and always entertaining, Gutkind describes and illustrates every aspect of the genre. Invaluable tools and exercises illuminate key steps, from defining a concept and establishing a writing process to the final product. Offering new ways of understanding the genre, this practical guidebook will help you thoroughly expand and stylize your work.4. Literary Journalism and the Aesthetics of Experience
Description
Proponents and practitioners of narrative literary journalism have sought to assert its distinctiveness as both a literary form and a type of journalism. In Literary Journalism and the Aesthetics of Experience, John C. Hartsock argues that this often neglected kind of journalismexemplified by such renowned works as John Hersey's Hiroshima, James Agee's Let Us Now Praise Famous Men, and Joan Didion's Slouching Towards Bethlehemhas emerged as an important genre of its own, not just a hybrid of the techniques of fiction and the conventions of traditional journalism.Hartsock situates narrative literary journalism within the broader histories of the American tradition of "objective" journalism and the standard novel. While all embrace the value of narrative, or storytelling, literary journalism offers a particular "aesthetics of experience" lacking in both the others. Not only does literary journalism disrupt the myths sustained by conventional journalism and the novel, but its rich details and attention to everyday life question readers' cultural assumptions. Drawing on the critical theories of Nietzsche, Bakhtin, Benjamin, and others, Hartsock argues that the aesthetics of experience challenge the shibboleths that often obscure the realities the other two forms seek to convey.
At a time when print media appear in decline, Hartsock offers a thoughtful response to those who ask, "What place if any is there for a narrative literary journalism in a rapidly changing media world?"
5. Literary Journalism in the Twentieth Century (Medill Visions Of The American Press)
Description
This wide-ranging collection of critical essays on literary journalism addresses the shifting border between fiction and non-fiction, literature and journalism.
Literary Journalism in the Twentieth Century addresses general and historical issues, explores questions of authorial intent and the status of the territory between literature and journalism, and offers a case study of Mary McCarthys 1953 piece, "Artists in Uniform," a classic of literary journalism.
Sims offers a thought-provoking study of the nature of perception and the truth, as well as issues facing journalism today.
6. The New New Journalism: Conversations with America's Best Nonfiction Writers on Their Craft
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Vintage BooksDescription
Forty years after Tom Wolfe, Hunter S. Thompson, and Gay Talese launched the New Journalism movement, Robert S. Boynton sits down with nineteen practitioners of what he calls the New New Journalism to discuss their methods, writings and careers.The New New Journalists are first and foremost brilliant reporters who immerse themselves completely in their subjects. Jon Krakauer accompanies a mountaineering expedition to Everest. Ted Conover works for nearly a year as a prison guard. Susan Orlean follows orchid fanciers to reveal an obsessive subculture few knew existed. Adrian Nicole LeBlanc spends nearly a decade reporting on a family in the South Bronx. And like their muckraking early twentieth-century precursors, they are drawn to the most pressing issues of the day: Alex Kotlowitz, Leon Dash, and William Finnegan to race and class; Ron Rosenbaum to the problem of evil; Michael Lewis to boom-and-bust economies; Richard Ben Cramer to the nitty gritty of politics. How do they do it? In these interviews, they reveal the techniques and inspirations behind their acclaimed works, from their felt-tip pens, tape recorders, long car rides, and assumed identities; to their intimate understanding of the way a truly great story unfolds.
Interviews with:
Gay Talese
Jane Kramer
Calvin Trillin
Richard Ben Cramer
Ted Conover
Alex Kotlowitz
Richard Preston
William Langewiesche
Eric Schlosser
Leon Dash
William Finnegan
Jonathan Harr
Jon Krakauer
Adrian Nicole LeBlanc
Michael Lewis
Susan Orlean
Ron Rosenbaum
Lawrence Weschler
Lawrence Wright
7. Telling True Stories: A Nonfiction Writers' Guide from the Nieman Foundation at Harvard University
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Plume BooksDescription
Inspiring stories and practical advice from Americas most respected journalistsThe countrys most prominent journalists and nonfiction authors gather each year at Harvards Nieman Conference on Narrative Journalism. Telling True Stories presents their best advicecovering everything from finding a good topic, to structuring narrative stories, to writing and selling your first book. More than fifty well-known writers offer their most powerful tips, including:
Tom Wolfe on the emotional core of the story
Gay Talese on writing about private lives
Malcolm Gladwell on the limits of profiles
Nora Ephron on narrative writing and screenwriters
Alma Guillermoprieto on telling the story and telling the truth
Dozens of Pulitzer Prizewinning journalists from the Atlantic Monthly, New Yorker, New York Times, Los Angeles Times, Washington Post and more . . .
The essays contain important counsel for new and career journalists, as well as for freelance writers, radio producers, and memoirists. Packed with refreshingly candid and insightful recommendations, Telling True Stories will show anyone fascinated by the art of writing nonfiction how to bring people, scenes, and ideas to life on the page.
8. Global Literary Journalism: Exploring the Journalistic Imagination, Volume 2 (Mass Communication and Journalism)
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Peter Lang Gmbh Internationaler Verlag Der WDescription
Following on from the first volume published in 2012, this new volume significantly expands the scope of the study of literary journalism both geographically and thematically.Chapters explore literary journalism not only in the United Kingdom, the United States and India but also in countries not covered in the first volume such as Australia, France, Brazil and Portugal, while its central themes help lead the study of literary journalism into previously unchartered territory. More focus is placed on the origins of literary journalism, with chapters exploring the previously ignored journalism of writers such as Myles na gCopaleen, Marguerite Duras, Mohatma Gandhi, Leigh Hunt, D. H. Lawrence, Mary McCarthy and Evelyn Waugh.
Critical overviews of African American literary journalism in the 1950s and of literary journalism in Brazil from 1870 to the present day are also provided, and a section asks whether there is a specific womens voice in literary journalism.
9. True Stories: A Century of Literary Journalism (Medill Visions Of The American Press)
Description
Journalism in the twentieth century was marked by the rise of literary journalism. Sims traces more than a century of its history, examining the cultural connections, competing journalistic schools of thought, and innovative writers that have given literary journalism its power. Seminal exmples of the genre provide ample context and background for the study of this style of journalism.
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