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The Andy Warhol Catalogue Raisonn, Paintings 1976-1978 The Andy Warhol Catalogue Raisonn, Paintings 1976-1978
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Warhol: Paintings and Sculpture 1964-1969, Vol. 2 (2 Vol. Set): The Andy Warhol Catalogue Raisonne Warhol: Paintings and Sculpture 1964-1969, Vol. 2 (2 Vol. Set): The Andy Warhol Catalogue Raisonne
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Andy Warhol Prints: A Catalogue Raisonn 1962-1987 Andy Warhol Prints: A Catalogue Raisonn 1962-1987
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The Andy Warhol Catalogue Raisonne Vol. 1: Paintings and Sculpture 1961-1963 The Andy Warhol Catalogue Raisonne Vol. 1: Paintings and Sculpture 1961-1963
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The Andy Warhol Catalogue Raisonn, Volume 4 The Andy Warhol Catalogue Raisonn, Volume 4
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Andy Warhol Catalogue Raisonn, Vol. 3: Paintings and Sculptures, 1970-1974 Andy Warhol Catalogue Raisonn, Vol. 3: Paintings and Sculptures, 1970-1974
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Andy Warhol Screen Tests: The Films of Andy Warhol Catalogue Raisonne (Andy Warhol Catalogue Raisonnee) Andy Warhol Screen Tests: The Films of Andy Warhol Catalogue Raisonne (Andy Warhol Catalogue Raisonnee)
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Andy Warhol Prints: A Catalogue Raisonne 1962-1987 Andy Warhol Prints: A Catalogue Raisonne 1962-1987
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Andy Warhol: Prints: From the Collections of Jordan D. Schnitzer and his Family Foundation Andy Warhol: Prints: From the Collections of Jordan D. Schnitzer and his Family Foundation
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In the Realm of Appearances: The Art of Andy Warhol In the Realm of Appearances: The Art of Andy Warhol
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1. The Andy Warhol Catalogue Raisonn, Paintings 1976-1978

Description

The highly anticipated fifth volume of The Andy Warhol Catalogue Raisonn, covering his paintings from 1976 to 1978

This two-book addition to The Andy Warhol Catalogue Raisonn persuasively demonstrates the subversive core of Warhol's art. Intent on radical departure from his portraiture in the early seventies, Warhol's production gradually became anything but 'just faces'. From portraits of athletes and self-portraits to his Skull and Hammer and Sickle series, the Torso and Sex Parts paintings, and his abstract Piss, Oxidation, and Cum canvases, volume 5 showcases Warhol's work as powerful, and provocative as ever.

2. Warhol: Paintings and Sculpture 1964-1969, Vol. 2 (2 Vol. Set): The Andy Warhol Catalogue Raisonne

Description

In January 1964 Warhol moved his studio to East Forty-seventh Street and began to produce works in series, allowing him to create open-ended aggregations of boxes or canvases that could be combined, recombined, or left as single units. This volume of the catalogue raisonne reproduces the series Thirteen Most Wanted Men; seven distinct series of box sculptures, including Brillo, Heinz Ketchup, and Del Monte Peach Halves, among others; the Jackie Paintings, based on press coverage of the assassination of John F. Kennedy in 1963; a series of portraits, including 11 self-portraits; Marilyn and Jackie paintings of mid-1964, with which Warhol introduced a new procedure in the studio - painting in areas of local colour by hand; and the 1964 Flowers series, probably Warhol's earliest allusion to abstract painting. Linich's rare photographs of works and people inside The Factory, as well as archival photos of gallery and museum installations showing original combinations of these serial works, and original newspaper clippings and silkscreen mechanicals. Whenever possible, catalogue entries attempt to record how and when a multi-canvas work came to be assembled in its present format. for readers to find their way through the catalogue entries. These list for each work the standard data (dimensions, date, present owner, inscriptions and special notes), provenance, exhibitions and literature. Volumes are organized according to catalogue number, with works reproduced in numerical order, followed by the corresponding texts. this volume includes appendices documenting each of Warhol's solo museum exhibitions of the period, with a list of every work included in each exhibition. Additional reference material includes notes to the catalogue texts; a title index; and a comprehensive general index. Indexes cross-reference works with their catalogue numbers and page numbers as they appear in the book. editors Georg Frei and Neil Printz began primary research in 1993, advised by the distinguished curators and art historians Kynaston McShine and Robert Rosenblum. Experts from the Andy Warhol Foundation reviewed archival materials, personally examined nearly each work of art, analyzed works in museums in their conservation facilities and discussed them with conservators, submitted works for review by the Andy Warhol Art Authentication Board, and interviewed Warhol's assistants and colleagues to assemble a customized database of works unparalleled in Warhol scholarship. Warhol's method of working in serial compositions, silkscreen, and repeating units challenges traditional art connoisseurship and begs the question not only of what is and what is not Warhol, but which Warhol is it? For each work, the catalogue answers, among other things, two central questions: When was it made? and How was it executed?

3. Andy Warhol Prints: A Catalogue Raisonn 1962-1987

Feature

D A P Ronald Feldman Fine Arts The Andy Warh

Description

The updated edition of the definitive, authorized catalogue raisonne of Andy Warhol's prints, reproducing more than 1,700 prints -- all in full color with complete scholarly documentation

Andy Warhol: Prints, in its fourth edition, with corrections, is the definitive scholarly reference source for collectors, auction houses, libraries, curators, academics and art dealers. Andy Warhol spent his career working so prodigiously as to assure long-lasting renown. In the printmaking field alone, his output was prolific, and his appropriation of silkscreen as a fine-art medium forever altered the way prints look. This thoroughly revised and expanded fourth edition of Andy Warhol Prints: A Catalogue Raisonne 19621987 traces Warhol's complete graphic oeuvre from his first unique works on paper in 1962 through his final published portfolio in 1987.

More than 1,700 works are illustrated, an increase of 500 from the previous edition of the catalogue raisonn, and complete documentation is provided for each. New additions include a section focusing on Warhol's popular portraits, with documentation of prints that were related to paintings commissioned during the 1970s and 1980s, and a new supplement featuring prints and illustrated books from the 1950s, including the beloved 25 Cats Named Sam and One Blue Pussy.

An essay by Donna De Salvo addresses Warhol's self-published books and portfolios from the same era. An extensive chronology of printmaking activity, a complete exhibition history, a selected bibliography and a greatly expanded appendix to published prints complete the book.

4. The Andy Warhol Catalogue Raisonne Vol. 1: Paintings and Sculpture 1961-1963

5. The Andy Warhol Catalogue Raisonn, Volume 4

Feature

Phaidon Press

Description

The fourth volume of the definitive resource to Andy Warhols oeuvre features his portraits of celebrities such as Halston and Mick Jagger; his American Indian paintings; and the iconic Ladies and Gentlemen series. Developed in conjunction with the Andy Warhol Foundation for the Visual Arts, Phaidons highly regarded catalogues are deluxe inside and out. Volume Four is no exception, featuring standout packaging and nearly 800 illustrations. The 608 works featured here include newly discovered pieces as well as some previously thought to be lost. Accompanying the artworks are Warhols Polaroids, source materials, works by other artists from his personal collection, and exhibition views.

6. Andy Warhol Catalogue Raisonn, Vol. 3: Paintings and Sculptures, 1970-1974

Feature

Used Book in Good Condition

Description

"This third volume of the catalogue dedicated to publishing the complete paintings, sculptures and drawings of Andy Warhol (1928-87) focuses on the years 1970 to 1974. With the authoritative writing and fascinating attention to detail of the first two volumes, Warhol's works of these four years are comprehensively catalogued and illustrated, with the exception of the drawings to be included in a subsequent volume.

At the time this volume begins Warhol had been working at his second factory, his studio at 33 Union Square West, since 1968 and his painting activity had not resumed since his recovery from having been shot that same year. He did not have a painting studio at this building until late 1971 or early 1972 and was instead concentrating on film and sculpture, including the ""Rain Machine"", as discussed in Chapter One. It was the acquiring of his first Big Shot polaroid camera that shifted his momentum back to painting again and he began to photograph his sitters, taking 25-100 shots, to capture a personality before beginning a painting.

Portraits of key figures of the time demonstrate his development of his new painterly style, mature by late 1972. The ""Mao Series"" was the first painting series since 1968, consisting of at least 199 paintings made between March 1972 and August 1973. His Mao paintings premiered in a grand exhibition in Paris in early 1974, and his portrait subjects included many of the most socially prominent and fashionable members of Parisian society, such as Yves Saint Laurent, Helene Rochas, and Sylvie de Waldner, as well as members of the international art world such as David Hockney, the dealer Alexandre Iolas, Henry Geldzahler. His painting style at this time was summed up by Warhol himself as 'sloppy and fast', painting wet-on-wet paint on top of the photographic image and screen prints, sometimes with fingers rather than brush. His style would change again in 1974 but in this volume we see several series and numerous commissioned portraits with this painterly style. He worked on series alongside commissions, and that of the Dada and Surrealist artist Man Ray, the subject of Chapter 5, was a series of some sixty works that developed from a commissioned portrait.

Including transcriptions, the diaries Warhol kept in 1972 and 1973, and the Polaroids he took on his travels through Europe and of his subjects, this volume has a strong narrative that presents the artist at a time of great change in his work. The 1970s have been often neglected in studies of Warhol's career and this volume, highlighting his extraordinary engagement with the culture and society of the time, brings to deserved attention the work of the first four years of the decade."

7. Andy Warhol Screen Tests: The Films of Andy Warhol Catalogue Raisonne (Andy Warhol Catalogue Raisonnee)

Description

Published in association with the Whitney Museum of American Art

In the mid-1960s, at the height of his creative powers, Andy Warhol produced hundreds of three-minute cinematic portraits, called "Screen Tests." Although rarely screened now, these short films captured a virtual who's who of the avant-garde, including such cultural icons as Edie Sedgwick, Bob Dylan, Salvador Dali, and Susan Sontag. At last, in the initial volume of the authorized catalogue raisonn of Warhol's films, Warhol authority Callie Angell examines all 189 people captured by Warhol's lens. Stills from many of the films appear here for the first time. Drawing on 13 years of original research into the Screen Test subjects and their relationships to Warhol, Angell provides an unprecedented look at the pop art master's working method, and a unique record of his colorful social and professional life.

8. Andy Warhol Prints: A Catalogue Raisonne 1962-1987

Description

This third revision of Andy Warhol Prints has been substantially revised to incorporate numerous works that only publicly came to light after the artist's death in 1987. Of the more than 1,100 color images presented here, more than 660 are works that were not included in the earlier editions and have not been previously published in book for, . These include unpublished prints, trial proofs, and unique edition prints that have only recently been rediscovered. 1244 photos, 1124 in color.

9. Andy Warhol: Prints: From the Collections of Jordan D. Schnitzer and his Family Foundation

Description

"Im for mechanical art, said Andy Warhol (192887). When I took up silkscreening, it was to more fully exploit the preconceived image through commercial techniques of multiple reproduction.
Printmaking was a vital artistic practice for Warhol. Prints figure prominently throughout his career from his earliest work as a commercial illustrator in the 1950s to the collaborative silkscreens made in the Factory during the 1960s and the commissioned portfolios of his final years. In their fascination with popular culture and provocative subverting of the difference between original and copy, Warhols prints are recognized now as a prescient forerunner of todays hyper-sophisticated, hyper-saturated and hyper-accelerated visual culture.
Andy Warhol: Prints, published to accompany a major exhibition at the Portland Art Museumthe largest of its kind ever to be presentedincludes approximately 250 of Warhols prints and ephemera from the collection of Jordan D. Schnitzer, including iconic silkscreen prints of Campbells soup cans and Marilyn Monroe. Organized chronologically and by series, Andy Warhol: Prints establishes the range of Warhols innovative graphic production as it evolved over the course of four decades, with a particular focus on Warhols use of different printmaking techniques, beginning with illustrated books and ending with screen printing.

10. In the Realm of Appearances: The Art of Andy Warhol

Feature

Used Book in Good Condition

Description

By the time he died in 1987, Andy Warhol's notoriety extended far beyond the rarified confines of the New York art world, beyond the fifteen minutes of fame he predicted for everyone's future, and into the vast realm of pop-culture. Warhol's public image was no less fascinating or controversial than his portraits of Campbell's soup cans, Brillo boxes, and movie stars. And the powerful mythology that surrounds both the man and his art continues to excite curiosity and demand attention.
Some critics have called Warhol an authentic visionary while others have branded him a charlatan. In this unique series of prose meditations, poet and art critic John Yau examines the artist's identity in the inseparable context of his work, bringing fresh insight both to "the surface" and what may in fact be "behind it".
Yau balances the polarized opinions about Warhol by considering the general state of affairs in twentieth century visual art and placing him in the context of such artistic influences and compatriots as Marcel Duchamp, Jasper Johns, Jeff Koons and composer John Cage. He also explores Warhol's creative energy in terms of cultural stereotypes and psychological factors such as voyeurism, vindictiveness, fear of intimacy and need for acceptance.
What emerges from these meditations is a clear-eyed portrait of the myriad forces, both internal and external, that shaped the most highly acclaimed postwar artist in America. Yau pinpoints and dissects the central irony of Andy Warhol's life and work: that "The artist who helped demystify art has, it seems, become an impenetrable mystery"

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